Wordplay: Grammar mistakes, and the mistakes people who write about them make….

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Which side of this discussion are you on, my dear & beautiful grammar nut?

For the writers, editors, and general linguaphiles among us. This is especially poignant for me because it deals with hypercorrection, far and away the greatest sin committed by proofreaders, copyeditors, line editors, and well-meaning friends who look over others’ writing.

I don’t agree with the blogger 100%, but I think he makes interesting points civilly and thoughtfully. Of course, the headline/title is horrible, as is almost anything of the “[Some Number of] Whatevers That Almost Everyone Makes/Does/Says” type, but I hope that won’t keep you from at least a glance at this particular quasi-arbitrary list.

Here’s his list (the blog explains each one a fair amount):

1. Confusing grammar with spelling, punctuation, and usage.

2. Treating style choices as rules.

3. Ignoring register.

4. Saying that a disliked word isn’t a word.

5. Turning proposals into ironclad laws.

6. Failing to discuss exceptions to rules.

7. Overestimating the frequency of errors.

8. Believing that etymology is destiny.

9. Simply bungling the rules.

10. Saying that good grammar leads to good communication.

11. Using grammar to put people down.

12. Forgetting that correct usage ultimately comes from users.

13. Making mistakes themselves. It happens to the best of us.
[Yes, a 13th mistake; it’s a bonus. And a mistake.]

Here’s the story, with details, disclaimers & a good amount of insight.

Wordplay: The last word

So, you just got your new e-mail address & you’re setting up the thingie at the end of each note you send from now on in this lifetime. It’s called an e-mail signature, and it’s your chance to let the people you write know the real you. As you compose it, these tips from Dog House Diaries might be of use…..hope so.

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Wordplay: Ian McEwan’s thoughts on writing about love

Ian McEwan
Ian McEwan

In this video from Aero Gramme Writers’ Studio, Ian McEwan discusses writing about love, in fiction:

“It’s very difficult to do happiness in novels in a sustained way.”

In this video recorded by the Louisiana Museum of Modern Art earlier this year, Ian McEwan reflects on making romantic love work in fiction, the amazing evolution of the novel as a genre, and the mature writer as a toddler of old age.

Ian McEwan has been nominated for the Man Booker Prize six times, winning the prize in 1998 for Amsterdam. His most recent novel, Sweet Tooth, was published in 2012.

Check it out.